Recent Comments
- TPP: Thanks, nice of you to say so. You’re doing some interesting Pasmore work I see. Is that how you found me?
- TPP: Michelle, what a very odd thing to do! I’ve been visiting Saltburn for decades: no idea why or how I made...
- Paul Spooner: Great set of portraits…can’t wait to see the finished project. (don’t give up...
- Debra: Those sample portraits are excellent. Good luck with this – hopefully it will help provide the kind of...
- ian: I should also say that stopping for a while is not the same as giving up permanently. Put photography on the...
Recent Posts
Similar Posts
Tags
6x6 35mm Amber answer this AskMe award badge Baltic blogging book button censorship competition darkroom delicio.us derelict documentary early career photographers EDAN event exhibition festival film finds free Hera lighting links long exposure meme MF Newcastle night No 7 Pasmore portrait postalicious prints rights schwag Side Gallery slide film snow studio WordPressArchives



Cornish Composition
One of the things one mightn’t have expected to learn from Joe Cornish on Friday was interesting stuff about composition. As a consequence, everything static in the landscape is appearing to have three basic geometric shapes within: a globe or domed circle, a cube or rectangle, and a triangle or zigzag. This one has its circle too large for the space, and it’s too big: the dome would need to take up about a third of the frame with a comfortable space around it. And the zigzag is hardly present, but the warehouse window provides the right kind of solid cuboid of cliff-like darkness.
How many of these can be squeezed out of Greenwich and surrounds in a week, do you think? And there was this:
Posting very intermittently this week, but there might well be more Cornishing.
Similar Posts:
Popularity: 3% [?]