One of the things one mightn’t have expected to learn from Joe Cornish on Friday was interesting stuff about composition. As a consequence, everything static in the landscape is appearing to have three basic geometric shapes within: a globe or domed circle, a cube or rectangle, and a triangle or zigzag. This one has its circle too large for the space, and it’s too big: the dome would need to take up about a third of the frame with a comfortable space around it. And the zigzag is hardly present, but the warehouse window provides the right kind of solid cuboid of cliff-like darkness.
How many of these can be squeezed out of Greenwich and surrounds in a week, do you think? And there was this:
Posting very intermittently this week, but there might well be more Cornishing.
Cornish Composition
One of the things one mightn’t have expected to learn from Joe Cornish on Friday was interesting stuff about composition. As a consequence, everything static in the landscape is appearing to have three basic geometric shapes within: a globe or domed circle, a cube or rectangle, and a triangle or zigzag. This one has its circle too large for the space, and it’s too big: the dome would need to take up about a third of the frame with a comfortable space around it. And the zigzag is hardly present, but the warehouse window provides the right kind of solid cuboid of cliff-like darkness.
How many of these can be squeezed out of Greenwich and surrounds in a week, do you think? And there was this:
Posting very intermittently this week, but there might well be more Cornishing.
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